[ home ][ articles ][ resources ][ news ][ the Update! ][ buy the book ]

 

Making The Most of a
Writers' Workshop or Conference

Continuing the series of Guides to Writer's Conferences, this week's Guide  helps you get the most out of your event...

Know What Your Goals Are

Nothing is more important than this in helping you make the most of a writer’s conference. It will help you choose the right event and decide what to do when you get there. Keeping your primary goal in mind (your ‘what I want to get out of this’) will help you realize that goal. It will even help you relax and have fun, as you are no longer running around from session to session, feeling anxious about missing something or wondering if you look like a fool. Set your goals for the conference or workshop based on your stage of development as a writer and your over-all writing goals. If you are planning to publish your novel this year, plan to attend all the publishing business seminars you can. If your goal is to find out what kind of writing you enjoy the most, plan on taking workshops in different areas and types of writing. If you want to make this the year you make your living from writing alone, make sure you are attending seminars aimed at freelance writers, and sign yourself up for one-on-one meetings with successful freelancers and any appropriate industry professionals, such as magazine editors.

One-on-Ones

If you can, go to your chosen expert’s seminar before you meet with them (they are bound to be having one). Then, when you get into your meeting, don’t waste your precious minutes asking questions they have already answered.

If you are talking to an agent, this is a chance to get your idea past the mountain of mail on their desk. Make sure you have a pithy 2-3-sentence description of your book. Look at the cover blurb on books similar to yours and try to analyze what makes them compelling. Remember that you are trying to sell the idea to someone who is going to have to sell the idea, in turn, to her bosses, and ultimately to millions of readers. She knows that you have less than 10 seconds to catch a reader’s attention. Your book must be able to do that, so do not explain the whole plot. Explain the concept. Compare it to something that he will already know. Written a coming of age story about an uncomfortably intelligent fat girl? Tell the agent, with a smile, that it is ‘She’s Come Undone’ meets ‘Good Will Hunting’. Or is it more ‘Shampoo’ meets ‘Malcolm In the Middle’ (see how those give totally different flavors?). Of course, it’s not really so much like any of those, the comparison gives the agent an idea of the tone of the piece as well as the plot and possible audience.

Don’t expect to get too much out of these sessions. No professional is going to sign up your book or article on the spot. What this session may do is make your name recognizable to the editor or agent. They may ask you for a sample or a query. When sending this to their office, be sure to mention that you met them at the XYZ Conference on these dates. This will help them remember that they have already ‘pre-qualified’ your work and judged it as something they might be interested in. This will automatically elevate your mail to somewhere near the top of the pile, unlike all those unsolicited pieces they receive that, they know, could be anything from genius to garbage.

Above all, be professional. Whether you are talking to an agent, an editor or any other expert, this is someone you want to have thinking, ‘I could work with this person’. You may consider yourself an artiste and think that people should love your eccentricities, but these people are professionals. That means that when they are dealing with you, it is their job, and doesn’t everyone want to work with people who are professional and considerate and relatively uncomplicated? Save the diva act for your amateur dramatics group!

Social Sessions

Remember that you’re not just here to learn from the experts. Every writer can teach you something and you are here to network. Even if you are shy, don’t forget that everyone is in the same situation. Some people come with a friend, but there are plenty of others flying solo. Social events give you a chance to meet people whose faces you will be seeing in seminars, to catch up with people you connected with earlier, and to talk to other people who, like you, love to write. How often do you get that in your everyday life?

You may also find that the experts and speakers come out to mingle at these events. If you have a question for them or simply want to compliment them on their presentation (and believe me, they’ll appreciate that), go on over, introduce yourself and say your piece. Remember, they’re only human. Do try not to button-hole them, however. Be brief and you will endear yourself to them.

Do try to listen more than you talk. That way, you will learn from others instead of simply coming away knowing what you think about things, or what you are working on (which you knew before you paid the price of admission). Ask everyone about their projects, who the best speakers have been so far and what they have learned.

Learn One New Thing in Every Session

You could copy down fifteen pages of notes in each session and still come away none the wiser, if you aren’t really listening. No matter how tired you are getting, or how many speeches you have heard, make it your mission to come away from each session with one new insight. Imagine you are going to be tested at dinner and try to think what one thing you cite when asked, “well, what did you get from the Writing Literary Non-fiction That Sells’ seminar?” Don’t try to capture everything the speaker says. You can’t. But if you go in looking for one ‘take away’ insight that will stick in your head without needing to be written down, you will find yourself paying closer attention to what is being said, and thinking more critically about the discussion.

Talk to Speakers

If, after a talk, you feel you need clarification on some point or other, don’t be afraid to approach the speaker. They are only human. They are, however, pressed for time, so keep your questions brief and to the point. If you are asking for advice, make it one small piece of advice. Don’t launch into a discussion of your area of expertise and then ask for a list of agents who specialize in that area. Don’t describe your major plot point and ask for help in working out the kinks. Ask for one small tip, and be gracious if they say it can’t be done – often authors ask me a seemingly simple question like ‘how do I promote my book?’ and I have to refer them to a whole Dewey decimal category! Instead of badgering the speaker, sign up for their newsletter, buy their book, or simply wander over and say ‘thanks!’.

Discussion Sessions 

If a session is open to questions from the floor, this is a great time to ask for clarification of a point or open up the discussion. However, this is also a dangerous opportunity to turn into a bore and a preacher (not that I have anything against preachers, but there is a time and a place. People did not pay to hear your opinions above all others).

Don’t feel you have to ask a question, just to make your voice heard. If you have a question, try to ask it in a concise way. Try not to ramble and include too many ‘prefaces’.

If this is a small session, where you know they’re going to come to you, be prepared. Write down your question if you have one. If not, don’t be afraid to say ‘No, I think all my questions have already been answered. Thanks!’.

Also, in discussion sessions it pays to be open to surprise. You may go in there thinking that you hate Chaucer and ready to argue the point that he should be struck from the Canon. If you wait, and listen, and are open to surprise, you may find that someone else has a point that changes your mind, or at least opens your ears to the reason Chaucer has been read and taught for 700 years. You may go to a self-publishing session ready to condemn the whole thing as an exercise in vanity, and come to realize that, while not right for your project, it is a time-honored tradition that works very well for certain types of books and authors.

Be open to surprise. Don’t expect to come home with all the same opinions and preferences you set out with. That would be a waste of your time and registration fee.

***

So, in short, know what you want to achieve, be prepared, and be open – to new people and new ideas.

And remember to have a little fun!

 ***

I’d love to hear your comments on this article: was it helpful; did your experience of conferences differ from this; is there anything I missed that you would like to know about? Send your comments to jd@jdwrite.com.  

[back to top]

 

 

Conference Series

Pt.I - Beginner's Guide

Pt.II - Which Event?

Pt.III - Making The Most...

Get updates when JDWrite adds new writing/publishing articles


Powered by
groups.yahoo.com

 

 

Related items:

Conference Series

Resources

 

Advertisement:

JDWrite offers marketing and promotion services to authors: Bios for Books & Bylines, Summaries In A Snap, Hooks For Books, and The Marketing Map.

 

 
(c) 2000-2004 Julie Duffy

30 June, 2005

contact