“The short form is hard. You need to have the scope of a novel on a canvas a fraction of the size. Your story should be something a reader will turn to from time to time in the same way that people listen to certain songs before they get ready to go out or fall asleep. You’ll need to be economical, and resist the urge of parable or one-act morality play. You need a beginning, middle and end, and a last line that resonates long after the story is over. “
— Max Dunbar, 3:AM Magazine, from a review of Sarah Hall’s short story collection “The Beautiful Indifference”